Hannah Petrikovsky combines oil paint and charcoal to create aesthetically lush, vivid paintings which explore
themes of beauty and impermanence. She exhibited in a group show at Lyme Academy and two group shows
at the Richard and Dolly Maas Gallery. She has her BFA in Lyme Academy of Fine Arts and has an MFA and MA
from SUNY Purchase. She lives in Hamden with her family.

Until recently, Ms. Petrikovsky has been Adjunct Professor of Fine Art and History "Exploring Visual Culture"
at Eastern Connecticut State University, Willimantic, CT, 2021 to the present. In January, following a maternity
leave-of-absence, she will take up a similar position at Southern Connecticut State University in New Haven.

Previoiusly, she was Adjunct Professor of Art History and Art Design at SUNY Purchase College, NY, 2018-2022,
and Sacred Heart University, 2023, and Gateway Community College, 2022. She had a Strypemonde Fellowship
at the Art History Department, SUNY Purchase College, 2020-2021. Since 2022, she has been a Painting
Instructorat Creative Arts Workshop, New Haven. Her artwork has been shown frequently at at Richard & Dolly
Maass Gallery, Purchase; also at Casa Somati, Pomona, NY, Essex Flowers Gallery, New York City, and Chauncey Silliman Gallery, Old Lyme.

http://www.chanarosaart.com/

Dana Baldwin Naumann creates unique sculpture using mainly lead sheets coated with copper or zinc patinas.
His hammer?ed sculptures are studies in texture, soft and warm looking even as metal surfaces
and often depicting religious, mythic, and archetypal scenes.

He had a successful career in corporate sales and marketing with IBM, Wang, Mitsubushi, and Westinghouse.
When he left the corporate world, he was determined to devote his life
to his art. It was a decision Naumann says he has never regretted.

Dana Naumann designed and contributed sculptures to the permanent collection of United States Special Olympics,
and a piece created with the theme of the Holocaust was given to the Thomas Dodd Center, University of Connecticut, Storrs, CT.
His artworks have been shown widely in Connecticut and the northeast.

Art critic Steve Starger wrote about his work: "Naumann's finely wrought sculptures aren't depressing or oppressive.
He draws on African and mythological references to create monolithic faces that are inspired by ritual masks and statuary,
like monuments or totems left by a long-vanished civilization. These elongated faces appear aloof and ascetic,
but are also strangely poignant, and each emanates a sense of mystery and longing."