The
Three States of Memory
artwork by Suhail Jhangiani of Sindh, India ; BFA , Art Institute of Boston Chris Oricchio, BFA , Art Institute of Boston Raul Rodriguez Allen, BFA, University of Salamanca, Spain Exhibition: September 14 - October 28, 2003 |
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This three-person exhibit seeks to understand the issues
of the changes of memory over time.This is the perplexity of how the brain
organizes the sense perceptions of events for future and immediate re-use.
First stage, PERCEPTION: Suhail Jhangiani’s cityscape and object paintings address the phenomenon of the momentary intake of present-tense experience. Here the image and experience is real and tangible, but without cognitive realization: A first time experience has no precedent images to connect to in existing memory. The memory image is burned into the psyche in a particular way because of the perceptual orientation of the individual, as well as their personality and character. Second stage, FORMATION: Raul Rodriguez Allen’s multi-media works deal with the "stewing of memory." Here, there is the image as it rests in the psyche, and the changes that occur to it are either for the person's benefit, or because external situations cause it to adapt. This is a particularly interesting process, since the memories that stew can change the individual as well, and those memories might be false or doctored by the individual unconsciously. Third stage, CREATION: Chris Oricchio’s sculptures bring into three dimensions his theories of how art is produced from the connective extrapolation of memories, in order to express the creative psyche. A memory seems to remain semi-dormant until needed or until triggered by stimulus or thought. When we do bring it back to consciousness, it has often changed, and sometimes we make this realization. When asked to make something from memory, every action we do is in essence from memory, and we have to resolve the multiple and obscure ideas in our head, and progress into something with specific physical parameters.
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Reception : Sunday, September 14, 4 to 6 PM This reception will feature a performance by the Kathryn Kollar Dance Company. The York Square Cinema Gallery |
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Memory is who we are, yet memory is also dependent on whom we’ve chosen to be. Our ego some say is just a shell. Whether you were to agree with Freud, Jung or Buddha, on the technicalities of how our ego is a shell, or disagree and believe that our ego is all we have, regardless, the ego itself is comprised of something. Memories are the bricks of our reality and our inherent human desire to keep them is the mortar. Memories hold us together and can break us apart. Alzheimer patients are an example of what disastrous consequences can occur when our memories are seriously impaired. As the patients memories disappear or fuse their entire world virtually breaks down around them. I myself have always had a temperamental memory. Some call me absent minded, some see me as an encyclopedia. My memory changes as the situations change. In one context, I might be able to recall with ease and with an agility that is fascinating, in others I’m beyond cumbersome, I’m slow, and I’m the fool for the day. What dictates this? How does it work? I have a million questions, as I’m sure a plenty have had before me. But due to the extremely personal and individual nature or memory my answer are sure to be just mine. The three states of memory as I see them are as follows.
First is external information gathering, second is information analysis,
and third is information retrieval and fusion. |
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Gallery curator, Johnes Ruta, (203) 387-4933, azothgallery@comcast.net http://azothgallery.com/ |
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